Dwitiyo Purush poster | P.C. SVF |
Mounting a film like Dwitiyo Purush, a sequel of
one of the most successful movies in the previous decade, Baishe Srabon,
released in 2011, is never easy. While one must remain true to the cinematic
universe of the previous film and ensure you are careful with all minute
details regarding timelines and character sketches, it also comes with enormous
burden of audience expectation. Comparisons are bound to happen and as a writer
you must keep that in mind.
By now, we, the movie going audience in Bengal, can safely say that Srijit Mukherji looks at home when he's making thrillers. I personally believe he understands the genre better than most of writers/directors we currently have in India today.
However, at the very outset, I must let the cat out of the bag: Dwitiyo Purush is by no means a perfect piece of art. Though there was no dearth of eventful moments in the film, given the number of murders that happen during its run time, I got a feeling the plot was dragging itself towards the all-important climax, and until that time, the characters simply existed and went on with their lives. The last thirty minutes is when the film comes alive. And, it feels almost deliberate from the part of the director to keep it that way before the big reveal happens in the climax.
By now, we, the movie going audience in Bengal, can safely say that Srijit Mukherji looks at home when he's making thrillers. I personally believe he understands the genre better than most of writers/directors we currently have in India today.
However, at the very outset, I must let the cat out of the bag: Dwitiyo Purush is by no means a perfect piece of art. Though there was no dearth of eventful moments in the film, given the number of murders that happen during its run time, I got a feeling the plot was dragging itself towards the all-important climax, and until that time, the characters simply existed and went on with their lives. The last thirty minutes is when the film comes alive. And, it feels almost deliberate from the part of the director to keep it that way before the big reveal happens in the climax.
I must admit here that, broadly speaking, I liked Dwitiyo
Purush. Primarily because the film grows on you. It is not one of
those films where you can come out of the theaters and not think about what
happened in the film. You will feel the urge to go back and reconstruct the
scenes in your head to reach the climax. The truth be told, climax is the high
point of the film and that is where the entire film stands. And director
sacrifices a lot of time, energy and dead bodies, quite literally, to reach
there at the end.
There are clues all over. All through the film, the director plays
with the minds of the audience. You might one get it while you’re watching it. But,
in retrospect, you will be forced to put the pieces of the jigsaw puzzle together.
That is where it succeeds for me.
Srijit Mukherji and Anupam Roy pair has given us lot of memorable
music in the past decade. And in this film too, the music is top notch. The songs
are catchy and were topping the charts long before the film released.
With Dwitiyo Purush, I think, I have seen the best of Anirban
Bhattacharjee and Parambrata Chatterjee, both fantastic performers.
Both are phenomenally good in their respective roles. Being
someone who has followed Parambrata’s career for the last fifteen years, I
think I can safely say this is his best work so far. The bathroom scene with
Raima Sen, just before the climax, is emotional, intense and scary, you could feel
the level of desperation and anger in his eyes. The scene, is one of my
favorites from the film, reveals the greatness of the actor and one of his in
his entire career. Watch the film to know what it is all about!
And then comes Anirban, he is getting better with every film he is
doing. The way in which he carried out his performance as a roadside gangster,
through his chilling stares, dialogue delivery, gait and mannerisms, who
doesn’t flinch before slitting the throats of his victims, tells a lot about
his dedication, hard work and his grasp over the craft.
Rest of the cast, including Gaurav Chakraborty, played their part
well in whatever screen time they got. The female characters, unfortunately,
didn’t get enough scenes, but whatever they got, they did well to leave a mark.
The film, mostly shot in Topsia, shows the underbelly of Kolkata's
Chinatown like it had never been shown before in any other film. The lanes and
bylanes of Kolkata Chinatown, which is popularly known for its delicious
Chinese food, adds to dark and gloomy imagery of the film.
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